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Then I have to remember that I am the only one putting pressure on myself.
To be clear, film days often feel like this, but there are certainly times when I put pressure on myself. I cherish those days, but keeping in mind that mountains are for playing, helps make every day feel light. It’s rare that I get days in without a camera to be honest. While working on Originate, there’s not a lot of time left idle in a season and most days are spent with a camera. No pressures, no commitments to summits, no self judgement, just pure enjoyment, expression, and a lot of good snacks. It’s an addiction and I think it’s so valuable to truly just play. I love every second that I get to spend outside. I’ve always held true to skiing being my biggest passion first, then my occupation, but I promised myself a long time ago that I would never let any job ruin the passion that I feel and it never has. You ever go into the mountains to just play? After reading a recent article in that question made me think. #skiiing #coverstoriesĪ post shared by Mike Douglas on at 7:46am PDT
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The next year of my career was the best I'd ever skied – my segment in 'Ski Movie 3: The Front Line' was the only one I was ever fully happy with and I managed to pick up 'Best Male Skier' at the Powder Awards the following season. The cover title line of the story was somewhat prophetic. I tried my hardest to look cool and this is what we got.
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Being one of the only pro skiers who was married at the time, they asked me to hold my left hand up so my ring could be seen. I wasn't sure how Mattias wanted to put together the portrait shot, but one night after dinner he got me to put on a black T-shirt and we went out into the back yard of the house we were staying at in St Anton. When my turn came, they sent me on a Euro road trip with photographer Mattias Fredriksson and writer Conditions were good and we had a blast. I didn't have a strong opinion on this one way or the other, but I understood they were trying to be different in a magazine rack loaded with ski rags. That’s how this waste-to-energy plant, which produces district heating for 60,000 households and electricity for 30,000, was reimagined as a recreational landscape for Copenhagen residents and visitors to enjoy.Īdding to the building’s sustainable aspects, Copenhageners now have the option to ski, climb and hike locally at their new local hill high above the Öresund, reducing the need to travel long distances to the nearest mountains.įind out more information on the project by clicking here.įreeskier – November 2002 Photo by Anyone who remembers the early days of will know that for the first 5 years of the magazine's existence they only ran portraits on the cover. The CopenHill site-known to locals as Amager Bakke (Amager Hill)-is influenced by Ingels’ philosophy of “hedonistic sustainability,” which seeks ways for sustainability projects to improve upon, rather than restrict, the quality of life of the populations they serve.
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“What you’re doing as a professional skier is finding ways to reinterpret the things you find inspiring, in a way that goes beyond the prescribed behavior,” Ingels told Jesper, an insight that also describes the architect’s own craft quite well. “It was interesting meeting Bjarke, because, in fifteen minutes, he pretty much figured out the future of freeskiing,” said Tjäder. “We would also love the people that are best at what they are doing to come and play with it.”īoth outside-the-box thinkers in their own fields, Ingels and Tjäder hit it off during the skier’s visit to CopenHill. “We want the world to know about this so that people will come and try this new kind of hybrid between a building and a landscape,” he said. It’s skiing down a building that’s the cool thing.”Īrchitect Ingels was also excited to see his vision come to life beneath Jesper’s skis. “This building made it so easy for me to figure out what to do for this project,” said Tjäder.
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Tjäder and Audi Nines seized the opportunity to get creative and explore the possibilities of the CopenHill slopes before they opened to the public, creating a custom series of features for him to navigate on his way down the roof’s switchbacking piste. The power plant, which generates district heating and electricity by incinerating the waste from Copenhagen’s five municipalities, was completed in 2017, while the recreational facilities are scheduled to open later this summer. Designed by Danish architect Bjarke Ingels and his firm BIG, CopenHill is a waste incineration plant with a sloping, 85-meter high roof that doubles as an outdoor recreation center, complete with trail running and hiking trails, the tallest climbing wall worldwide and an almost 500-meter long ski slope.
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